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greenmarafon_nn
Описание
1 июня на площадке Спорт Порт стадиона «Нижний Новгород» пройдет Зеленый марафон от Сбера!
Это семейный спортивный фестиваль, где каждый участник найдет себе занятие.
В программе:
🔹Забеги на дистанции 4,2 км и 10 км
🔹Специальный детский забег на 420 м (4-13 лет)
🔹Соревнования по скандинавской ходьбе на дистанцию 2 км
А еще вас ждут:
🔹концертная программа с выступлением творческих коллективов
🔹 детская зона с мастер-классами, играми и анимацией
🔹спортивные зоны для взрослых, детей и многое другое
Обязательная регистрация на Зеленый марафон: https://reg.greenmarathon.sberbank.ru/
УЧАСТИЕ В МАРАФОНЕ БЕСПЛАТНОЕ ❗
![..:: Aural Ambulance ::... ============================== Real name is Oleg Klokun, an ukrainian DJ whose atmospheric and soulful sound is influenced by Hospital Records and Good Looking Records labels, Aural Ambulance enjoys hometown recognition at the age of 19. Born on December 27, 1990, in Malin, Ukraine, his father was an avid music collector and Oleg became interested in music at an early age. From Rave and House music, he started collecting music too. Till he studied in school, he had a dream to become a lawyer, but after some time was disappointed in that speciality and began studying music. A new dream to become a DJ became a reality, when Oleg brought his first promo mix to the top night club in the city, called Z.V.. Aural Ambulance become a resident of Z.V. at the age of 16 . More than one year Oleg studied a DJ craft on practice in Z.V.. After Z.V. Aural Ambulance with close friends created an organization called Mixed Dreams. Purpose of the organization were holding parties and promotion an electronic music in such small town as Malin. First organized open-air on local beach gathered over a 500 people. Also inspired by composer and producer Akira Yamaoka, Aural Ambulance continue to work with styles of music as Artcore, Intelligent D'n'B, Liquid Funk and trying himself in different styles as Trance, Ambient, Chill Out/Trip-Hop/Lounge. Played on different clubs in Kiev SPB, Faces and other, also has experience in radio. Currently most famous work on radio was on PowerHit Radio [Russia], the birthday of Andrey Gorn's radioshow Elixir - 1 year on air and a couple visits of DI.FM. For now Aural Ambulance continues to please people with his music and planning to go in for producer activity.
==============================
You can book Aural Ambulance using following methods:
TELEPHONE: +380630650655
E-MAIL: aural.ambulance@mail.ru
VKONTAKTE.RU: id8435083
ICQ: 859-915
Links:
http://aural-ambulance.com.ua/
http://aural-ambulance.pdj.ru/ (not using)
==============================](https://sun9-54.userapi.com/impf/c859/g16544296/b_2ddf73f9.jpg?quality=96&as=32x32,48x48,72x72&sign=c3d21b5edb922d266918091a1735136e&u=ZPh_D2HHDcnzLc5D-8ZcPeRfP-e2-f9_azsRhxWK2Ok&cs=480x480 "..:: Aural Ambulance ::... ============================== Real name is Oleg Klokun, an ukrainian DJ whose atmospheric and soulful sound is influenced by Hospital Records and Good Looking Records labels, Aural Ambulance enjoys hometown recognition at the age of 19. Born on December 27, 1990, in Malin, Ukraine, his father was an avid music collector and Oleg became interested in music at an early age. From Rave and House music, he started collecting music too. Till he studied in school, he had a dream to become a lawyer, but after some time was disappointed in that speciality and began studying music. A new dream to become a DJ became a reality, when Oleg brought his first promo mix to the top night club in the city, called Z.V.. Aural Ambulance become a resident of Z.V. at the age of 16 . More than one year Oleg studied a DJ craft on practice in Z.V.. After Z.V. Aural Ambulance with close friends created an organization called Mixed Dreams. Purpose of the organization were holding parties and promotion an electronic music in such small town as Malin. First organized open-air on local beach gathered over a 500 people. Also inspired by composer and producer Akira Yamaoka, Aural Ambulance continue to work with styles of music as Artcore, Intelligent D'n'B, Liquid Funk and trying himself in different styles as Trance, Ambient, Chill Out/Trip-Hop/Lounge. Played on different clubs in Kiev SPB, Faces and other, also has experience in radio. Currently most famous work on radio was on PowerHit Radio [Russia], the birthday of Andrey Gorn's radioshow Elixir - 1 year on air and a couple visits of DI.FM. For now Aural Ambulance continues to please people with his music and planning to go in for producer activity.
==============================
You can book Aural Ambulance using following methods:
TELEPHONE: +380630650655
E-MAIL: aural.ambulance@mail.ru
VKONTAKTE.RU: id8435083
ICQ: 859-915
Links:
http://aural-ambulance.com.ua/
http://aural-ambulance.pdj.ru/ (not using)
==============================")
![Slipknot Stay Sic. SLIPKNOT (The Time of The Nine has begun)
- Corey #8 - vocals
- Mick #7 - guitar
- Sid #0 - turntables
- Clown #6 - percussion
- Paul #2 - bass
- Joey #1 - drums
- Chris #3 - percussion
- James #4 - guitar
- Craig #5 - samples/media
http://www.facebook.com/StaySic1 [FACEBOOK]
http://twitter.com/StaySic1 [TWITTER]
Slipknot singer Corey Taylor knew his band was destined for greatness. He also knew that it wouldn't come easy.
When we were starting out, we had all these strikes against us, he says. We were from Iowa, there were nine of us, we wore masks, we wore coveralls, we played metal. Hard metal.
It was tough getting people to come out to Des Moines, adds bassist Paul Gray. I don't know why, it's a pretty cool place. But A&R dudes -- jaded folks from Los Angeles or New York -- it's hard to get them to come to Iowa.
And then there were all the haters, says Taylor.
Ah, the haters. The people who liked nothing more than to give the band flack for its look, for substituting numbers for names, for putting on a show full of over-the-top chaos and unmitigated mayhem. Some of the comments came from the usual assortment of web sites and so-called music critics. But, surprisingly, we also took a lot of shit from other bands, says guitarist James Root. When we hit the road with Ozzfest in 1999, I heard a lot of condescending remarks from other musicians. They were saying, 'Slipknot won't sell enough records, they won't survive, they've got too many people, nobody's gonna get it, they're all about image.'
The joke's on them, says Taylor with wicked glee. Our music stood up. We're much more popular now and it wasn't because of our image. It was the music.
Now, most of the bands who turned slagging Slipknot into an extreme sport have fallen off the face of the earth. The 'Knot, on the other hand, have spent nearly a decade cementing their place as one of hard rock’s most extreme acts. They've dropped three albums and two DVDs, all of which went Platinum or better. They've sold out festivals and tours around the globe. And they are preparing to release their fourth record, All Hope Is Gone.
Slipknot -- which features DJ Sid Wilson (0), drummer Joey Jordison (1), Gray (2), percussionist Chris Fehn (3) Root (4), sampler Craig Jones - 133 (5), percussionist M. Shawn Crahan - Clown (6), guitarist Mick Thomson (7) and Taylor (8), -- is still heavy, still enamored of great, big walls of deeply textured layers of sound. But this time, they've approached their music with an eye towards stylistic expression that completely invalidates any and all comments about heavy metal clichés. Moreover, they've continued the exploration of melody that began on their first record.
Songs like Sulfur and Psychosocial deliver crushing verses and bridges, but then explode into soaring choruses that provide a powerful showcase for Taylor's voice. The song Vendetta features a sleazy, rough-and-tumble kind of swagger, but still delivers Slipknot's trademark balls-out fury. And All Hope Is Gone just spews raw anger, aggression, hate and foulness that serves as a reminder to anyone still stupid enough to harbor doubts that Slipknot are experts at delivering pure, heavy-metal punishment.
It's our fourth album, and we wanted to do something different, says Gray. You can't put out the same record over and over again. At the same time, you can definitely still tell that this is Slipknot.
I'm looking forward to the expressions on people's faces when they hear the new record, says Taylor. There's very, very heavy stuff on this album, and it's go](https://sun9-19.userapi.com/impf/c5140/g19060759/d_a6cf65f8.jpg?quality=96&as=32x32,48x48,72x72&sign=0cbe9fc6b116190491aef8943fdaf721&u=gJkSzwlQ09H_uuoyWGAvr70a--iITVYyO1X88lt_gDU&cs=480x480 "Slipknot Stay Sic. SLIPKNOT (The Time of The Nine has begun)
- Corey #8 - vocals
- Mick #7 - guitar
- Sid #0 - turntables
- Clown #6 - percussion
- Paul #2 - bass
- Joey #1 - drums
- Chris #3 - percussion
- James #4 - guitar
- Craig #5 - samples/media
http://www.facebook.com/StaySic1 [FACEBOOK]
http://twitter.com/StaySic1 [TWITTER]
Slipknot singer Corey Taylor knew his band was destined for greatness. He also knew that it wouldn't come easy.
When we were starting out, we had all these strikes against us, he says. We were from Iowa, there were nine of us, we wore masks, we wore coveralls, we played metal. Hard metal.
It was tough getting people to come out to Des Moines, adds bassist Paul Gray. I don't know why, it's a pretty cool place. But A&R dudes -- jaded folks from Los Angeles or New York -- it's hard to get them to come to Iowa.
And then there were all the haters, says Taylor.
Ah, the haters. The people who liked nothing more than to give the band flack for its look, for substituting numbers for names, for putting on a show full of over-the-top chaos and unmitigated mayhem. Some of the comments came from the usual assortment of web sites and so-called music critics. But, surprisingly, we also took a lot of shit from other bands, says guitarist James Root. When we hit the road with Ozzfest in 1999, I heard a lot of condescending remarks from other musicians. They were saying, 'Slipknot won't sell enough records, they won't survive, they've got too many people, nobody's gonna get it, they're all about image.'
The joke's on them, says Taylor with wicked glee. Our music stood up. We're much more popular now and it wasn't because of our image. It was the music.
Now, most of the bands who turned slagging Slipknot into an extreme sport have fallen off the face of the earth. The 'Knot, on the other hand, have spent nearly a decade cementing their place as one of hard rock’s most extreme acts. They've dropped three albums and two DVDs, all of which went Platinum or better. They've sold out festivals and tours around the globe. And they are preparing to release their fourth record, All Hope Is Gone.
Slipknot -- which features DJ Sid Wilson (0), drummer Joey Jordison (1), Gray (2), percussionist Chris Fehn (3) Root (4), sampler Craig Jones - 133 (5), percussionist M. Shawn Crahan - Clown (6), guitarist Mick Thomson (7) and Taylor (8), -- is still heavy, still enamored of great, big walls of deeply textured layers of sound. But this time, they've approached their music with an eye towards stylistic expression that completely invalidates any and all comments about heavy metal clichés. Moreover, they've continued the exploration of melody that began on their first record.
Songs like Sulfur and Psychosocial deliver crushing verses and bridges, but then explode into soaring choruses that provide a powerful showcase for Taylor's voice. The song Vendetta features a sleazy, rough-and-tumble kind of swagger, but still delivers Slipknot's trademark balls-out fury. And All Hope Is Gone just spews raw anger, aggression, hate and foulness that serves as a reminder to anyone still stupid enough to harbor doubts that Slipknot are experts at delivering pure, heavy-metal punishment.
It's our fourth album, and we wanted to do something different, says Gray. You can't put out the same record over and over again. At the same time, you can definitely still tell that this is Slipknot.
I'm looking forward to the expressions on people's faces when they hear the new record, says Taylor. There's very, very heavy stuff on this album, and it's go")